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The Fibre Channel Alliance (FICA) had a small meeting room festooned with products from its members. A similar decrease occurred in the number of exhibitors, but it was hard to tell. A Thousand Splendid Suns - Wikipedia. A Thousand Splendid Suns is a 2. Afghan- American author Khaled Hosseini. It is his second, following his bestselling 2. The Kite Runner. Mariam is an illegitimate child, and suffers from both the stigma surrounding her birth along with the abuse she faces throughout her marriage. Laila, born a generation later, is comparatively privileged during her youth until their lives intersect and she is also forced to accept a marriage proposal from Rasheed, Mariam's husband. Hosseini has remarked that he regards the novel as a . I realized that I had found not only the right line for the scene, but also an evocative title in the phrase 'a thousand splendid suns,' which appears in the next- to- last stanza. That first novel was a male- dominated story. All the major characters, except perhaps for Amir's wife Soraya, were men. There was a whole facet of Afghan society which I hadn't touched on in The Kite Runner, an entire landscape that I felt was fertile with story ideas.. In the spring of 2. I went to Kabul, and I recall seeing these burqa- clad women sitting at street corners, with four, five, six children, begging for change. I remember watching them walking in pairs up the street, trailed by their children in ragged clothes, and wondering how life had brought them to that point.. I spoke to many of those women in Kabul. Their life stories were truly heartbreaking.. When I began writing A Thousand Splendid Suns, I found myself thinking about those resilient women over and over. Though no one woman that I met in Kabul inspired either Laila or Mariam, their voices, faces, and their incredible stories of survival were always with me, and a good part of my inspiration for this novel came from their collective spirit. The developing story captured me and enabled me to tune out the background noise and get on with the business of inhabiting the world I was creating. Jalil impregnates Nana, and she and Mariam live in a kolba (small cottage) outside of the town. As a girl, Miriam loves Thursday visits from Jalil, who tells her stories of Herat, although she never visits the city and her mother takes pains to remind the growing girl that her father brings her only stories, none of the wealth Jalil describes to her. As Mariam grows older, she learns her father has three wives and nine legitimate children. However, Mariam's love for Jalil does not diminish, even after she learns he banished her mother after their affair resulted in a pregnancy. Nana, a bitter woman, frequently reminds Mariam of her father's abandonment, and is upset that Jalil placed the blame on her as if he had no part in their affair. Analysis. While Chapter 1 is brief, it provides us with important background information about three main characters and establishes symbolism as a means of foreshadowing. Mariam and her parents, Nana and Jalil, are positioned as central to the narrative of the novel's first section. Mariam is depicted as a loving, thoughtful child, who is happy for the brief time she has with her father and does not resent his long absences the way Nana does. Mariam's loving nature is challenged by Nana, who yells at the five- year- old and calls her a bastard when she accidentally breaks a favorite sugar bowl. Nana also warns her that . Between these two women is Jalil, whose true character is difficult to determine as he is seen only through the biased eyes of Mariam and Nana. To Mariam, he is the loving father who relieves the monotony of life with his weekly visits; to Nana he is the coward who would not stand by her after getting her pregnant. Both women, however, acknowledge he is powerful and wealthy and that he is able to use his power for or against them as he sees fit. Chapter 1 familiarizes the reader with Hosseini's style. The narrative, which takes place in Afghanistan, is speckled with Afghani phrases that only sometimes are directly defined. For instance, the reader is introduced to the word . Other words, such as kolba and jinn are left for the reader to determine via contextual clues. The use of these terms not only establishes setting, but also signifies that some things cannot be translated. For instance, when Mariam expresses fear that the . However, by not translating it, jinn retains a certain mystery and power that seems appropriate: as a child, Mariam is not sure how or why the jinn enters her mother just as the English- speaking reader is not sure to what sort of feeling or condition the word refers. Finally, the central action of the chapter, Mariam's over- eager breaking of the sugar bowl, provides symbolic foreshadowing for the rest of the book. The sugar bowl, part of Nana's prized tea set, features a dragon on its side, . She is the illegitimate child of Jalil and Nana. She suffers shame throughout her childhood because of the circumstances of her birth. She is a woman who is detached from the day- to- day norms of human existence. Really, she just wants connection with another human being. Born in 1. 97. 8, to Hakim and Fariba, she is a beautiful and intelligent girl coming from a family in which the father is university- educated and a teacher. Hosseini states that compared to Mariam, Laila . She expected to finish school and is looking for personal fulfillment. These are two very different representations of women. This originally draws resentment from Mariam, who . He marries Mariam through an arrangement with Jalil, and later marries Laila as well. After suffering years of domestic abuse at his hands, Mariam bludgeons Rasheed to death with a shovel during a violent struggle. Hosseini stated that he hoped to create a multi- layered character in Rasheed, saying, . In writing him, I didn't want to write him as an irredeemable villain. He is a reprehensible person, but there are moments of humanity, such as his love for his son. He lost a leg to a land mine at the age of five. Mariam's birth is the result of an affair between Nana and Jalil. Jalil's favoritism towards his wives and legitimate children leaves Nana bitter towards Jalil. She hangs herself when Mariam is fifteen after Mariam journeys to Jalil's house on her birthday. Nana perceives this to be betrayal and regards as an act of desertion. Mullah Faizullah, a Sufi, is Mariam's elderly Koran teacher and friend. He dies of natural causes in 1. Jalil is Mariam's father, a wealthy man who had three wives before he fathered Mariam. He marries Mariam to Rasheed after Nana's death. He dies in 1. 98. Hakim is Laila's father. He is a well- educated and a progressive schoolteacher. In Part One, during her brief meeting with Mariam, she is depicted as cheerful, but her happy nature is disrupted when her two sons, Ahmad and Noor, leave home to go to war and are later killed. She spends nearly all of her time in bed mourning her sons until the Mujahideen are victorious, and is later killed in a rocket explosion along with Hakim. When the news of Tariq's alleged death arrives, in order to hide the child's illegitimacy and provide for herself, Laila decides to marry Rasheed. Aziza's birth marks the beginning of Laila's fall from favor with Rasheed. He serves as a redeeming facet of Rasheed. Zalmai remains unaware of the fact that Mariam killed Rasheed and continuously asks Laila about him, who lies by saying that he simply left for some time. After initially blaming Tariq for his father's mysterious disappearance, he comes to accept Tariq as a father- figure. When asked about common themes in The Kite Runner and A Thousand Splendid Suns, Khaled Hosseini replied. I did not intend this, but I am keenly interested, it appears, in the way parents and children love, disappoint, and in the end honor each other. In one way, the two novels are corollaries: The Kite Runner was a father- son story, and A Thousand Splendid Suns can be seen as a mother- daughter story. You remember that, Mariam. He later becomes increasingly abusive. He doesn't gloss over the horrors his characters live through, but something about his direct, explanatory style and the sense that you are moving towards a redemptive ending makes the whole narrative, for all its tragedies, slip down rather easily. But that is the emotion. As in his best- selling first novel, The Kite Runner, Hosseini movingly examines the connections between unlikely friends, the fissures that open up between parents and children, the intransigence of quiet hearts. Hosseini's instinctive storytelling skills take over, mowing down the reader's objections through sheer momentum and will. He succeeds in making the emotional reality of Mariam and Laila's lives tangible to us, and by conjuring their day- to- day routines, he is able to give us a sense of what daily life was like in Kabul . John Freeman from The Houston Chronicle found them . The story, epic in scope and spanning three decades, follows these two indomitable women whose fortunes mirror those of their beloved and battered country. Steven Zaillian finished writing the first draft of the screenplay in 2. Retrieved July 2, 2. Archived from the original on 2. May 2. 00. 9. Archived from the original on 2. Retrieved July 1, 2. Library Journal (review archived at MARINet). Retrieved July 3, 2. Gulf Coast News Today. Retrieved July 3, 2. Retrieved July 4, 2. Retrieved July 2, 2. Retrieved July 2, 2. Retrieved July 3. Retrieved July 2, 2. Retrieved July 3, 2. Retrieved July 3, 2. Retrieved July 3, 2. Retrieved July 1, 2. Retrieved July 1, 2. Retrieved July 1, 2. Retrieved July 2, 2. Retrieved July 1, 2. O, the Oprah Magazine. Retrieved July 2, 2. Retrieved July 1, 2. The Christian Science Monitor. Retrieved July 1, 2. The Houston Chronicle. Retrieved July 1, 2. Retrieved July 1, 2. Retrieved July 2, 2. Zaillian takes shine to 'Suns'. Variety.^Hoby, Hermione (May 3. Retrieved July 4, 2. |
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